Giulia Colletti is a curator and art historian.

She serves as Curator of Programs and Digital at Castello di Rivoli Museo d’Arte Contemporanea. In her capacities, she has overseen Erratic Bodies, 2024; Energy Cultures, 2023, with Agnieszka Kurant; A Letter from the Front with Nikita Kadan, 2022; Digital Cosmos, 2020-ongoing; Digital PTSD. The Practice of Art and Its Impact on Digital Trauma, 2020-2021, with Stella Bottai; she coordinated the exhibitions William Kentridge. Breath 2020; Giuseppe Penone. Incidences of the Void, 2019.

She is currently Co-curator of the 5th Industrial Art Biennial, supported by the 13th Italian Council.

Her recent curated group and solo exhibitions include Allegory of Public Happiness, 2024, Galleria Civica – Mart Museo di Arte Moderna e Contemporanea di Trento e Rovereto; Dominique White. The Fugitive of the State(less), 2023, Art City – MAMbo, Bologna; Fragile Soil, Fertile Souls, 2022, United Nations College, Turin.

She lectures in Contemporary Art and Curatorial Practice at Abadir Academy. She was Visiting Lecturer at Universität für angewandte Kunst Wien and Inaugural Curatorial Fellow 2019 at The Glasgow School of Art.

She delivers New Media Special Projects for CURA. Her essays, reviews, and compiled readers have also been featured in museum catalogues and published by Flash Art, OnCurating, and e-flux, among others.

She is an honoree of Forbes Under 30 Europe 2021 and an alumna of the Gwangju Biennale International Curator Course and the Independent Curators International ICI.

She is a member of ICOM, CIMAM, and IKT.